My/our place to post stuff I/we like:
documentary, cinema, video 2.0, media & social media, new tech & a bit of everything :) Blog written in english, catalan and spanish.
Do you want to post something? Feel free.
Not yet? Well, it doesn't matter... Keep in touch: about me.
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El ‘e-lancer’, trabajador independiente muy cualificado, modelo para próximas décadas (vía Prepárese: en el futuro, todos autónomos | Sociedad |...
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Capturing Reality: The Art of Documentary
See on Scoop.it - iDocs Collection
A documentary film by Pepita Ferrari about making documentaries…
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Glidecam Tutorial by Cristina Valdivieso + Jon Connor
If you’re serious about capturing smooth moving-camera shots, you might have considered... -
Que buenos recuerdos de esta tremenda tradición catalana
Casteller (por Mike Randolph)
hermoso!
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Un resumen infográfico de Las 10 estrategias de manipulación mediática de Noam Chomsky. Vía Revista Apolorama.
“Twitter has fundamentally changed the way I make films” @edward_burns
‘Address Is Approximate’
Google Street View stop motion animation short made as a personal project by director Tom Jenkins. All screen imagery was animated, there are no screen replacements. Shot using Canon 5D, Dragonframe Stop Motion software and customised slider. Music by the Cinematic Orchestra.
Brilliant…
iPhone 4S vs Canon 5D
Impressive comparison between the iPhone 4S and the Canon 5D MK II. DSLR vs smartphone, the beginning of a new revolution of digital camcorders?
Landscapes: Volume 2
“Landscapes: Volume 2 is the second of a three part series (probably). Every frame of this video is a raw still from a Canon 5D2 DSLR and processed with Adobe software. In Volume 2 I again show off my beautiful home state of Arizona and I also made several trips to Utah. This video has some iconic landmarks that we have seen before. I felt that showing them again with motion controlled HDR and/or night timelapse would be a new way to see old landmarks”.
By Dustin Farrell.
If you want to see more you can watch Dustin’s “Landscapes: Volume 1” representing a year of his time-lapse work.
“A un profesional del cine le es mucho más fácil adentrarse en el mundo de las Canon 5D, 7D y 550D que a un profesional del vídeo de reportaje social. Es una questión de concepto y la figura del Director de Fotografía, como su nombre indica, tiene una gran base en la fotografía pura: Encuadre, enfoque y luz.”
Alfons Grau, Director Gerente de Grau Luminotecnia
via @GrauLuminotec
Haiti Earthquake Aftermath
Shot on 5D by Khalid Mohtaseb.
